在銅器上出現建築形象始於商、周，到戰國時漸多。其表現形式也不同，有模鑄

在铜器上出现建筑形象始于商、周，到战国时渐多。其表现形式也不同，有模铸、嵌错、凿凿、刻画四种。前二种较简略，后二种较细致，尤以刻画的图像最为精细。<br>1.模辞图像（二件）<br>（1）采桑猎铺，战国器，台北故宫博物院藏。器上表现一座二层建筑，最卜•层为台基，台边缘用枣帮石（或木纺）和立柱（石或木）分为十二小格。沿辜基复装冇木栏杆,

在铜器上出现建筑形象始于商、周，到战国时渐多。 其表现形式也不同，有模铸、嵌 错、凿凿、刻画四种。 前二种较简略，后二种较细致，尤以刻画的图像最为精细。<br>1.模辞图像（二件）<br>（1）采桑猎铺，战国器，台北台北故宫藏。 器上表现一座二层建筑，最卜•层为台 基，台边缘用枣帮石（或木纺）和立柱（石或木）分为十二小格。 沿辜基复装冇木栏杆，

The appearance of architectural images on bronzes began in the Shang and Zhou Dynasties and gradually increased in the Warring States period. There are four kinds of forms, including inlay and chiseling. The first two are more simple, the latter two are more detailed, especially the depiction of the image is the most delicate.<br>1. Die image (two pieces)<br>(1) Mulberry gathering and hunting shop, artifacts of the Warring States period, collected by the Palace Museum in Taipei. A two-story building is shown on the utensil. The top floor is the platform base. The edge of the platform is divided into 12 small grids with Zaobang stone (or wood textile) and column (stone or wood). Wooden railings are installed along the base of the building,<br>